John C. Gregory
John C. Gregory [aka Jack Gregory] (1930-2014) was an abstract painter who attended the Philadelphia Museum School of Art (now the University of the Arts) in the early 1950s. He worked steadily in Philadelphia until the mid 90’s, after which he was based in Natick, Massachusetts.
An innovative experimenter with line, balance, color and media, Gregory made work that spans diverse, dynamic styles. This site offers visitors an opportunity to track the development of a talented, dynamic and thoughtful artist across his productive career. Gregory worked in a wide variety of media and sizes, including paintings and portrait sculpture, along with works on paper. The range of media includes enamels, casein, acrylic, oil and gouache on paper and canvas, as well as wood and clay. His pieces range in size from 10” x 14” to 8’ x 10’.
Starting with 1950s representational work that spotlights his impressive draftsmanship, including drawings of everyday life in the peacetime US Army in Germany, Gregory’s work soon transitioned to semi-abstracted portraits of jazz musicians, both in black and white and in vivid colors. He moved to full abstraction by the early 1960s, and to large "changeable" sculptural pieces that invited viewers’ participation.
In the 50s and 60s, Gregory developed his signature style of drawing and painting that expressed the interior and exterior of a figure by means of line, without reliance on the edges of form. The result was a curvilinear “abstraction” with little discernable reference to its origin, but energized by the connection to that source.
In the 70s, 80s and 90s, he worked in collage; wide brushstroke acrylic paintings; found-wood sculptures; enamel paintings, and a series of paintings created by spraying a mixture of sand and paint across the canvas on a very low trajectory.
In several series, he attached nautical lines to the surfaces of large canvases – these “drawings” form a low relief that acts as a barrier to the colorful paint “shot” across the canvas. The pigment’s trajectory constitutes the form itself, reinforcing and interacting with the three-dimensional line.
An ingenious experimenter, Gregory turned in the late 80s to the use of quick-drying oil enamels (largely black and white), combined with an alkyd resin. Commenting in 1993 on his enamel work, he explained: “I…found the brush was not direct enough for me. I couldn’t get the immediacy of line that I was looking for.”
To fix that, he developed a pressure-pouring method of applying paint from a rolling bridge seat that moved horizontally across big canvases laid flat. This allowed him “to maintain, and vary, a stream of enamel. I always make a complete work each time, with no changes. If I reject the attempt, the canvas is painted over and used again for a later work. As a result, there are linear, relief-like shapes underneath the final layer of enamel in many of my paintings.”
In 2000, he returned to vivid colors in his paintings, using casein on large and small canvases and in smaller drawings. In this period he continued his built work, creating a striking series of painted reliefs, which combine wooden, cord and metal 3-D elements with dramatic textures and paint colors.
Along with his lifetime of studio work, Gregory had a prize-winning career as a editorial sculptor, including many busts of newsmakers published in Time, Look, Sports Illustrated, The Saturday Review and the Playboy Jazz and Pop Hall of Fame (all photographed by Seymour Mednick), as well as privately commissioned works. Gregory’s work is in many private collections and several museums, including the Philadelphia Museum of Art and the National Portrait Gallery.
John C. Gregory
1930 – 2014
Chronology:
1994-2014: Continued work on paintings, drawings, and reliefs
1999: Began construction of series of relief paintings
1996: Settled in Natick, MA.
1994: Relocated studio to Massachusetts
1987 – 1994: Continued painting large works in Philadelphia studio
1977 – 1981: Grey Gallery, Philadelphia PA
1960 – 1987: Independent Design and Painting
1956 – 1960: Designer at Smith Kline & French Laboratories
1954 – 1956: Travel in Europe
1953 – 1955: U.S. Army Photography
1949 – 1953: Education- Philadelphia Museum School of Art, Full Scholarship
And Art Students League Summer Sessions in Woodstock, NY
1947 – 1949: Education- Kenyon College, Gambier, Ohio
1943 – 1947: W. Penn Charter School
1930: Born in Philadelphia, PA
Exhibitions:
Selected Solo Shows:
1985 – 1986 New Paintings by John Gregory
The Rittenhouse Regency, Philadelphia, PA
Seven works on exhibit for a six-month period
Gallery Director/Curator: Noel Butcher
1982 Recent Paintings and Drawings
The Kling Gallery, Philadelphia, PA
Gallery Director/Curator: George Young
1981 Collage Paintings: Second Installment
The Grey Gallery, Philadelphia, PA
Curator: M. McClain
1980 New Large Works on Canvas
The Grey Gallery, Philadelphia, PA
Curator: Rinagai Stanley Jawer
1979 “Large Brushstroke” Works on Paper
The Grey Gallery, Philadelphia, PA
Curator: Rinagai Stanley Jawer
1978 Collage Paintings 1977 – 1978
The Grey Gallery, Philadelphia, PA
Curator: Elsa Weiner
1977 A Small Retrospective: Works 1962 - 1977
The Grey Gallery, Philadelphia, PA
Curator: Robin Inlander
1961 Recent Drawings and Prints
The Print Club, Philadelphia, PA
Curator: Berthe von Moschzisker
Selected Group Shows:
1985 New Light: Four-Person Exhibition
Noel Butcher Gallery, Philadelphia, PA
Curator: George Young
1978 Large Paintings by Three Painters
The Grey Gallery, Philadelphia, PA
Curator: Rinagai Stanley Jawer
1974 The Time of Our Lives
National Portrait Gallery, Washington, DC
Curator: Monroe Fabian
1965 – 1978 Paintings exhibited in several group shows
Gallery 1015, Wyncote, PA
Curator: Gladys Myers
1964 Three Painters
Arts Council, YM/YWHA, Philadelphia, PA
Curators: Joan Kron and A.C. Wolgin
1962 Third Philadelphia Arts Festival
The Pennsylvania Academy of the Fine Arts
Philadelphia, PA
Regional Exhibition; Invitational
Curator: E.M. Benson
1961 Philadelphia Abstract Artists Group
Philadelphia Gallery
Invitational Exhibition
Curator: Mitchell Wagman
1960 Five Young Watercolorists
Philadelphia Art Alliance, Philadelphia, PA
Award Invitational Exhibition
Curator: John R. Maxwell
1960 Philadelphia Abstract Artists
Fleisher Art Memorial, Philadelphia, PA
Invitational
Curator: Louis Hirshman
1959 Second Philadelphia Arts Festival
The Philadelphia Museum of Art
Regional, Juried Exhibition
Jury Chairman: Henry Clifford
1959 Watercolorists Under 30
Philadelphia Art Alliance, Philadelphia, PA
Juried Exhibition: Award
Chairman: John R. Maxwell
1950 ‘s Philadelphia Print Club Exhibitions, 1952 – 1959
American Painters In France Exhibition, Paris, 1956
Germantown Week Exhibitions, 1951 – 1958
Collections:
Selected Commissions for Collections:
1992 Large Abstract Painting
Collection of the University of Pennsylvania
School of Dentistry
Gift of Dr. Leonard Abrams
1990 Painted Portrait of George and Lois Funderberg
Collection of the Wharton School
University of Pennsylvania
1985 Portrait Sculpture of Dr. Sol Sherry
for the Sol Sherry Thrombosis Research Center
Temple University School of Medicine, Philadelphia, PA
1980 Portrait Sculpture in the Rothman Pavilion
of Dr. Mario V. Troncelliti, Chief of Anesthesiology
Pennsylvania Hospital
1973 Abstract Mural Paintings
Collection of the University of Pennsylvania
School of Dentistry
Gift of Dr. Jerome Sklaroff
1964 Sculpture portraits of Pioneers in Psychiatry
Castings in the Collections of
The American Psychiatric Association, Washington, DC,
and the Institute of Pennsylvania Hospital
1954 Painted Portrait of Mr. Justice Oliver Wendell Holmes
Collection of Container Corporation of America, Chicago
Selected Public Collections:
· Philadelphia Museum of Art
· Silkeborg Museum, Denmark
· National Portrait Gallery, Washington, DC
· Pennsylvania Hospital, Philadelphia, PA
· The Container Corporation of America, Chicago, IL
· Smith Kline Beckman Corporation, Philadelphia, PA
· American Psychiatric Association, Washington, DC
· University of Pennsylvania School of Dentistry, Philadelphia, PA
· Sol Sherry Thrombosis Research Center, Temple University School of Medicine, Philadelphia, PA
· The Wharton School, University of Pennsylvania, Philadelphia, PA
Selected Private Collections:
· Dr. & Mrs. Leonard Abrams
· Dr. Andrew Halbert
· Betty & Peter TIlley
· Dr. & Mrs. Jerome Sklaroff
· Mr. Jack Rubinson
· Mr. Seymour Mednick
· Dr. Nora Laos & Robert Burrow
· Dr. Cathy Boswell & Ms. Victoria Jones
· Alexis Gelber & Mark Whitaker
· Judy & Avi Eden
Articles and Reviews:
“The Bauhaus Connection”
Ellen Kaye, The Philadelphia Inquirer Magazine, August 5, 1984
“What’s New in Old City Galleries”
Anne Fabbri Butera, The Philadelphia Bulletin, June 24, 1979
“J. Gregory, Sculpture Portraits”
Brian J. Brown, Time Education, 1976
“Five Artists”
Dennis Leon, The Philadelphia Inquirer, September 24, 1961, w photo
“Artists Honored in Watercolor Show”
Andrew J. Serafin, Art Alliance Bulletin, May 1959
“Young Watercolorists Show”
Andrew J. Serafin, Art Alliance Bulletin, April 1959
Catalogues and Publications:
“Line as Subject and Object in John C. Gregory’s 1977 and 1978 Collages”
Monograph, M. McClain, 1981
Temple University Art Collection Article
Fred B. Gable (with black and white photographs), 1977
“Portraits of the American Stage”
Catalog, Monroe Fabian, National Portrait Gallery, Washington, DC (black and white photograph), 1971
“Third Philadelphia Arts Festival”
Catalog, Philadelphia Academy of the Fine Arts, 1962
“Second Philadelphia Arts Festival”
Catalog, Philadelphia Museum of Art, 1959
Awards and Honors:
1980 “Painter to watch in the 1980s”
Philadelphia Magazine, January 1980 (with photo)
1959 Award: “Watercolorists Under 30”
Philadelphia Art Alliance
Jury Chairman: John R. Maxwell
1953 Temple & Crozier Award
Philadelphia Museum School of Art
1949 – 1953 Senatorial Scholarship
Philadelphia Museum School of Art, Philadelphia, PA
Design Awards:
Philadelphia A.D. Club Exhibition Gold/Silver Awards: 1959, 1960
New York Art Directors Club Exhibition: 1959, 1960
AIGA Exhibition of Design and Printing for Commerce: 1959, 1960
Type Directors Club Exhibition: 1959
Illustrators ’60 Exhibition
Lectures and Public Speaking
1979 National Public Radio
One-hour interview on air with Terry Gross, WHYY FM
Education:
Art Students League Summer Sessions, Woodstock, NY
Studied with Yasuo Kuniyoshi 1951, 1952
Philadelphia Museum School of Art
Philadelphia, PA 1949 – 1953
Kenyon College
Gambier, Ohio 1947 – 1949
W. Penn Charter School, 1943 – 1947
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